前身是皇軍軍港的吳港,戰後成為船塢(wù )工人的生活煉獄。在(🕰)資(zī )本家剝(bāo )削(xuē )(🔧)和(hé )枯(🎹)燥(zào )生活的(🛤)雙重煎熬(áo )下,躁(🥩)動的年輕(qīng )生(🌫)命,一頭栽進暴(🏇)力漩渦,延(🖲)擱成長(🕔),終(zhōng )(👑)日在(🤷)打鬥、(🎡)賭(dǔ )博、(👁)酗酒中尋找暫時的麻(má )醉(zuì )(🐖)。吉田喜(xǐ )重(🎫)通過工頭之眼,對不合理的社(🕕)會現實作出欲(yù )迎(⏺)還拒的批判(🚣),被視(shì )為日本新浪潮代(🔢)表(❔)作之(zhī )一。香(🌊)山(shān )美子飾演純真的酒館女待,同情工人卻慘(cǎn )被強姦,正與負(fù )(🍄)的能(néng )量,在大時代中比拼互滲,可(kě )有超(🎋)越(yuè )對(duì )與錯,是與非的位(🌮)置?片(piàn )末火車站送別(bié )(🏉)一(🥊)場,在(🛎)家和社會(huì )之(😊)間,吉田(tián )喜重作出了(le )左翼(yì )的選(💅)擇(zé )(🌼)。 One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come. (👫) - SummerIFF 2007
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