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一(yī )直作為米路(lù )斯．科曼劇本鐵三(sān )角（另(🔼)一(🌰)位(wèi )是帕培錫(xī )，也(yě )是(shì )本片編劇之一(yī )）(🎹)成員的(de )艾雲．(🍖)巴(bā )薩，當然也(💤)走低度(📿)戲劇路線。同是(shì )音(yīn )樂(♑)家的(de )彼德與卡(kǎ )洛老友重逢，生活狀(zhuàng )況大不同，你有伴侶我(🏐)有家(jiā )庭，然(rán )(📞)而都有說(shuō )(🗑)不(bú )(😚)出的不明朗(lǎng )，唯有以酒與(yǔ )音樂代替口(kǒu )水。全片推展不問目(🌚)的(de )，只在剎那(nà )間的意(yì )(💱)圖(tú )，行行企企(🥎)比起科曼更義無反(🐑)顧，卻有生活淡如流水的詩(shī )意和(hé )(⏰)繆思，叫觀眾(zhòng )聯想到二十(shí )年後的伊力．盧馬。巴(🕐)薩鍾愛(ài )音樂(🤖)的程度不下(🗳)於文字(zì )和電影(yǐng )，古典(diǎn )(🍑)音樂與民間(jiān )音(🦇)樂於(🈸)全(➡)片迴轉(🌹)迴盪，難怪成了奇斯洛夫斯基十大心愛電影(💿)之(🎥)一。 康城影展青(qīng )年評審團獎，美國全國影評(🔞)人協會(📐)特別獎(jiǎng ) 這部1966年的珍品，是捷克新浪(làng )潮(👗)短(🎦)暫生命中最(🐂)佳作品(pǐn )(⏺)之(👩)一。成名音(📬)樂家(jiā )到小鎮探(tàn )訪舊(🍹)同學，舊同(tóng )學是個窮音樂教師，有(yǒu )時在喪(🚪)禮上吹(🖱)奏樂曲。平(⛅)凡的(✒)素材(cái )(🈸)在巴(🛃)素手裡(lǐ )(🕵)，變(🚓)出風趣復罕(hǎn )見的(🍉)旋律(🏆)，一(🌒)部憂(🎆)鬱的喜(xǐ )劇，或灰色喜劇(jù )。 - Dave Kehr, Chicago Reader (🔂) (🔰) (🏉)Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel –(🕝) reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. (🧐)Special Award, National Society of Film Critics Awards (🛡) Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. - Elliott Stein, Village Voice (🌓) Source HKIFF Czech New Wave 2006
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